This article focuses on theatricality in Enrique Lihn’s poetry as a way of articulating the collective, the urban, and the media spectacle in three moments of expression. Firstly, the beggar as urban spectacle of poverty. Secondly, the transvestite as a subject upon whom gazes intersect. Finally, the figures of television and torture as opposed in terms of media and political influence, visibility and invisibility.
Keywords:
Lihn, poetry, theatricality, politics, city, beggar, transvestite, torture
Ayala, M. (2012). The beggar, the transvestite, television. Urban theatricality and spectacle in the poetry of Enrique Lihn. Revista Chilena De Literatura, (82). Retrieved from https://historiadelderecho.uchile.cl/index.php/RCL/article/view/24844
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