The article deals with the Cahiers of Simone Weil understood as the space for a thought that is made through writing. Confronting The gravity and the grace with the Notebooks, the problems in the reception of the Notebooks is argued as a direct consequence of the mode of writing that configures them. From there, I reflect on the notebooks as the place of an intimate, exiled writing, withdrawn from discourse, that necessarily occurs in a fragmentary form. It is also shown how, in the experience of Simone Weil, the tension between fragmentary nature and unity corresponds to the impossibility of communicating the truth.
Colell Aparicio, L. (2019). Simone Weil’s notebooks: the language of the nuptial chamber. Revista Chilena De Literatura, (99), pp. 101–120. Retrieved from https://historiadelderecho.uchile.cl/index.php/RCL/article/view/53016
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